Meadows, Harrison
Harrison Meadows
Harrison Meadows is an Assistant Professor in the Department of World Languages and Cultures. His research focuses on Renaissance and Baroque Spain, with an emphasis on theater and the history of spectacle. At a time when theater emerged as an immensely popular form of entertainment, he examines dramatic production, performance history, and theatergoing to shed light on the ideological underpinnings of the culture in which those practices were embedded and took shape. His work also situates Spain in the context of empire, and seeks to provide insights into Spain’s unique position as both participant and outlier in global developments that shaped the modern world (chiefly, colonial expansion and the rise of capitalism, nationalism, rationalism, and empirical scientific inquiry). Current research interests concentrate on representations of wildness, natural landscapes, and gardens in early modern theatrical production and paratheatrical performance practices (court pageantry, processional cultures, etc.).
Dr. Meadows teaches a range of courses in the Hispanic Studies curriculum at both the undergraduate and graduate levels. His objectives in designing undergraduate courses focus on equipping students to think critically, recognize the complexity of the world they coinhabit, analyze presuppositions, and be able to articulate their ideas in a range of realistic contexts. In language courses, students are challenged to go beyond thinking about language acquisition as a neutral process or merely a skillset one acquires, to consider language as a set of deeply embedded cultural practices developed over dynamic and conflicted histories, and moreover, to reflect on their own positionality as language learners in a complex global society. He also teaches literature, theater, and culture courses within his disciplinary focus on the Spanish-speaking world during the 16th and 17th centuries. Current and future course offerings feature the novel Don Quijote (taught in Spanish and in translation) as a literary work for everyone, as relevant and socially incisive today as it was when it was published at the beginning of the 17th century.
Since 2021, Dr. Meadows has served as the Humanities Caucus Chair on the UTK Faculty Senate. Currently, he is also the Director of Graduate Studies for the Department of World Languages and Cultures.
Publications
Books
- Wild Theater: Staging the Margins of Baroque Ideology in the Spanish Comedia. Vanderbilt University Press, forthcoming.
- Calderón de la Barca, Pedro. En la vida todo es verdad y todo mentira, Sueños hay que verdad son. Edited by John Slater and Harrison Meadows, Juan de la Cuesta, 2016.
Peer-Reviewed Articles
- “On Tyranny and Succession: Rethinking Monarchical Legitimacy in Calderón’s En la vida todo es verdad y todo mentira (1659), MLN, vol. 133, no. 2, 2018, pp. 257-276.
- “Disruptive Marginality: The Representation of Wildness in Lope de Vega’s Baroque Dramatic Art.” Romance Quarterly, vol. 65, no. 4, 2018.
Book Chapters
- “The Poetics of Tragedy and Justice in Vélez de Guevara’s La Serrana de la Vera (1613)”. Social Justice in the Spanish Comedia, Univ. of Toronto Press, 2020.
- “The Symbolic Geography of Natural Landscapes in Tirso de Molina.” Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century, edited by Esther Fernández, Támesis, 2023, pp. 161-71.
Book Reviews
- Review of The Man Who Invented Fiction: How Cervantes Ushered in the Modern World, by William Egginton. eHumanista, vol. 34, 2016, pp. 578-580.
- Review of Del teatro a la novela: el ritual del disfraz en las Novelas ejemplares de Cervantes, by Eduardo Olid Guerrero. Hispania, vol. 100, no. 4, 2017, pp. 692-694.
- Review of Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain, by Nicholas R. Jones. Early American Literature, vol. 56, no. 3, 2021, pp. 945-950.
- Review of La conquista de Orán de Luis Vélez de Guevara, edited by George Peale and Javier J. González Martínez. Revista Canadiense de Estudios Hispánicos, forthcoming (2024).
Performance Reviews
- Review of Andantes con Cervantes, directed by Iván Guardado Ovalle, Ciénaga Teatro (Zacatecas, México). Itinerant street performance. Festival Internacional de Teatro Clásico de Almagro, 7 July 2022. Comedia Performance, vol. 20, 2023, pp. 155-8.